Produced by Bristol sound co-founder the musician-producer, this scabrous though undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to burgle his own family home. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The central theme – that the ecstasy generation were mainly focused on themselves – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher turns up, fuming after David strangles his dog. Still, a darkly funny standoff takes hold – David desperate to escape; the Woodsman withholding his jerrycan of cider, determined to dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
There is only one key story turn, but it results in a hilariously staged chaotic run on the forest trails that veers toward rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
Game releases in UK and Irish cinemas from 17 November.
